Diary of a Bad Guitar Player: Fingerstyle learning and deep listening


A million days into quarantine (approximately), my practice on the guitar has fallen into a steady routine. I am working on new fingerstyle songs, practicing the ones I learned the last week, working on improving on one or two of the songs I know and play regularly with a focus on implying the changes and doing some ear training.

The Ear training is by far the greatest challenge for me. This week, I focused hard on singing intervals to advance my interval recognition. It is tedious work. I have been using a chromatic tuner and playing an interval, then singing that interval. Since it often takes me several tries to get the notes in tune and then get the interval correct, this is slow work. Painfully slow. After a few intervals, I move on to singing through the major scale, then on just playing the major scale slowly, listening carefully to the intervals. After ten or fifteen minutes of this, I start to feel like an insane person, but I can see very small glimmers of progress, so I plod along at it.

The biggest discovery I have made by going through this drudgery is that there exists different levels of listening. The deep listening it takes to hear the notes and intervals in this ear training practice is different for the way I listen to music riding in the car, or even the way that I listen back to improvisations I have played, thinking critically about them. I spend a lot of time listen carefully to music because I love it and I am fascinated by it, but to hear the notes with total clarity, I have to listen much deeper,  and that is something I am just getting a handle on. I couldn’t even begin to listen to most pop or rock music this way at this point because it is just too dense. I think the closest I get to this kind of deep listening in casual music listening is when I listen to Christopher Parkening playing Eric Satie on the classical guitar. Those slow, ringing melodies are about all I can handle listening in this way.

On the other side of things, learning the fingerstyle arrangement of Harvest Moon this week was a brutal reminder of one- how slow I am at learning me pieces- and two- how the learning curve goes for me. I am not sure if this a typical experience, but whenever I learn challenging new pieces of music the process is basically three to five days of utter hopelessness where I am stabbing at bits of melody and chords as the metronome clicks by. I lose time, I play the wrong notes, I start again, it goes the same or maybe worse. Then, mysteriously, I am playing sections of the song with some degree of competence. The transition between hopeless noob and a competent player is not a smooth line rising upward at all. I suck, badly, for ever and then without warning, I am suddenly playing something that could be recognized as music.

The catch is that the first inklings of competence on a tune are still a million miles from it sounding good. One of the things I enjoy most about fingerstyle guitar arrangements is that once you have the basic notes down, the challenge becomes about the details of the melody and harmony, getting the right emphasis on notes and all the other minor details. That part of the process takes me months, but it never feels like work because I am playing the song. That first step of learning the basics always kicks my ass.

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